Boeing B-29 Superfortress

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History of the B-29 Superfortress. The Boeing B-29 Superfortress in aviation art prints including the Enolo Gay flown by Colonel Paul Tibbets, in aviation paintings by David Pentland and Robert Taylor, available from aviation prints.co.uk.

The largest and most powerful bomber of WW II, the Boeing B-29 Super Fortress, played a major role in bringing about the defeat of Japan. In addition to accelerating Japans surrender following the bombing of Hiroshima and Nagasaki with atomic bombs, thousands of B-29 crews flew tens of thousands of bombing missions against Japan from bases in China, India, and later in the War from recaptured islands in the Pacific. B-29s entered service in 1943 following a lengthy, problem-filled, development process of three years in response to the governments request for a long range strategic bomber. Only Boeing and Douglas (the B-32 Dominator) responded to the governments requests, and the B-32 had even greater development problems than the B-29. Powered by four giant Wright R-3350-23 radial engines generating a total horsepower of 8,924, the Super Fortresses typically carried crews of ten. They were capable of a top speed of 357-MPH, and at slower cruising speeds had a range of more than 3,200 miles. The B-29 was a large aircraft for its time with a wingspan in excess of 140 feet and a length of just under 100 feet. The Super Forts also had pressurized forward and aft hulls, which made the long distance missions a bit more comfortable for the flight crews. B-29s typically carried defensive armament which included ten machine guns and a single tail-mounted canon. Because of the pressurized hull, the guns were operated by remote control. The first operational B-29 wing was the 58th which flew out of the China-Burma-India theater. On March 9, 1945 General Curtis LeMay ordered an unusual low altitude attack on Tokyo by hundreds of B-29s carrying incendiary bombs. Five such low level missions were scheduled over a ten-day period, and the combined destruction of these missions exceeded that of either of the atomic bomb missions. B-29s were also effectively used to mine Japanese ports and shipping lanes. The Kawasaki Ki-45 Toryu heavy fighter, which is depicted attacking the B-29 in Stan Stokes painting, entered production in 1941 following a lengthy four year development. About 1,700 of these aircraft, code named Nick by the allies, were produced. The Ki-45 never proved effective as a long range daylight interceptor. It was, however, used effectively in ground attack and night fighter roles. It was one of only a few Japanese aircraft that had some success against the onslaught of B-29s because it was able to attain the high altitudes necessary to intercept the high-flying Super Fortresses. This print is dedicated to the thousands of B-29 officers and crewmen who hastened the end of the Pacific War. 

Turning Point by David Pentland 6th August 1945, Col. Paul Tibbets puts his aircraft, Enolo Gay, into a violent turn to evade the blast of the atomic bomb on the Japanese city of Hiroshima. This marked a turning point in the war and history. 


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Iwo Jima - A Hard Won Haven by John D Shaw.

Only 660 miles from Tokyo, the small volcanic island of Iwo Jima was recognized as early as 1943 as being a vital location to secure an airbase for allied aircraft, in order to achieve victory in the Pacific. Forseeing this goal, the Japanese began extensive fortifications early, preparing for the eventual onslaught. Within Iwo Jimas myriad tunnels, both underground and within the extinct volcano known as mt Suribachi, enemy forces were able to remain virtually unscathed during the 72 day heavy bombardment in late 1944, which preceded the American landings. In mid Ferbuary 1945, the invasion landing forces arrived, and so began one of the bloodiest and most bitter battles of World War II. Over the course of the next 36 days, the United States Marine Corps would experience many of its most horrific hours, but certainly their finest as well. Marine photographer Joe Rosenthals shot of Old Glory being hoisted aloft atop Suribachi came to be recognized as possibly the most famous photo in history. During the first week of March, the first B-29 to make an emergency landing at Iwo touched down. With its nose art bearing the name Dinah Might, this Superfortress and its crew were hastily repaired, aided and again took to the air within half an hour. Many others soon would follow. Shown here, a B-29 of 34th Bomb Group limps in to Iwos runway number one as emergency crews prepare for more incoming planes, some of which would inevitably have to ditch in the water offshore to avoid an explosive pileup. It is estimated that nearly 25,000 airmen lives would ultimately be spared as a result of being able to make emergency landings there. Nearly 7000 Marines died taking Iwo, with many thousands awarded, the largest number during any single campaign. Of the 23000 Japanese troops defending Iwo, only 1083 were taken prisoner. By the beginning of April, Iwo Jima was secure enough to base P-51 Mustangs to escort the B-29s to Japan, as allies prepared for the frightful prospect of a land invasion on Japans mainland, which historians speculate would likely have cost potentially millions more lives. At this time, more than 60 years after the battle, only a small remnant remains of those who participated first hand in this epic battle. Forever a sympbol of freedom, Iwo Jima remains truly sacred ground.

Signed limited edition of 500 prints. Paper size 31.5 inches x 16.5 inches (80cm x 42cm). Price £165.00

Signed by Vernard W Brintzenhofe USMC, Clair C Chaffin USMC, Jack L Colby USMC, Roy Earle USMC, Harry D Hink USAAF, Norman T Hatch USMC, Herb Ing USMC, Raymond Jacobs USMC, Henry Koellein USMC, Grover E Thompson USMC, Cyril OBrien, Gordon Ward USMC and Robert Weiler USAAF.


Limited edition of 100 artist proofs. Paper size 31.5 inches x 16.5 inches (80cm x 42cm). Price £195.00

Signed by Vernard W Brintzenhofe USMC, Clair C Chaffin USMC, Jack L Colby USMC, Roy Earle USMC, Harry D Hink USAAF, Norman T Hatch USMC, Herb Ing USMC, Raymond Jacobs USMC, Henry Koellein USMC, Grover E Thompson USMC, Cyril OBrien, Gordon Ward USMC, Robert Weiler USAAF and Jack Lucas USMC MOH.

Special Offer Part of our Buy One, Get One Half Price Offer



Artist signed edition of 1225 prints. Paper size 31.5 inches x 16.5 inches (80cm x 42cm). Price £95.00

Special Offer Part of our Buy One, Get One Half Price Offer



ITEM CODE DHM2634


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Pacific Dolls by Stan Stokes.

The Boeing B-29 Superfortress was undoubtedly the best all-around strategic bomber of WW 11. Because of its fairly late deployment in the War, fewer (3,970) Superfortesses were built than any other U.S. strategic bomber. Because of its large payload, and incredible range, a decision was made to utilize the B-29 exclusively in the Pacific and production models began to arrive in India and China in the spring of 1944. By mid 1945 the B-29 was being operated from bases established in the Mariana Islands, and devastating bombing raids were being flown against Japan on a regular basis. The Texas Doll was a Saipan-based B29 of the 497th Bomb Group, which was under the command of Col. Edward Cutler in 1944 & 1945. In a soon to be published book entitled Flying the Red Carpet, Lt. Col. Don Julin, Cutlers navigator, chronicles in both words and photographs his experiences flying out of Saipan in 1945. The Texas Doll participated in the massive fire bombing raid on Tokyo on March 10, 1945. General Lemay insisted on an all-out low level attack and the Doll was stripped of armor plate and left two of its gunners at home for that mission. Follow-up raids on Nagoya, Osaka, and Kobe followed within days, and it was clear from that point on that Imperial Japans days were numbered. These missions were not without risk. On his first mission with the Doll, Julin recounts how the bomb bay was hit with a 20mm round from a Japanese twin-engine fighter. The concussion from this shell distorted the shape of one of the Dolls fuel tanks, leading to some harrowing fuel shortages on future flights. On Julins first mission from Saipan his B-29 depressurized over Japan. One of the crew members flak jacket, oxygen mask, and shirt were stripped from him, and the pilot was forced to make a emergency dive to 10,000 feet. Returning to Saipan on another mission Cutler and his crewmates watched a B-29 ditch 100 miles short of making it back. In June of 1945 the Dolls crew witnessed two B-29s collide at only 1000 feet in altitude. On April 1, 1945 Cutlers crew watched in terror as the aircraft just ahead of them crashed into the Pacific and exploded upon takeoff. On March 25, 1945 Cutler and his crew flew their final mission with the Doll painted on the nose of their aircraft. It appears that a number of people back at the Pentagon were giving in to pressure, and all the voluptuous nose art which was so inspirational to the crews which risked their lives on each mission, was now deemed inappropriate. In his nostalgic painting entitled Pacific Dolls, award-winning aviation artist Stan Stokes depicts the Texas Doll at Salpan following a mission in March of 1945. This painting is dedicated to all the courageous crews which both flew and serviced all those Pacific Dolls during the War, and is a tribute to this great aircraft which explicitly helped America win the War in the Pacific.

Signed limited edition of 950 prints, signed by all five officers of the Texas Doll - a B-29 which flew out of Saipan in 1944/45, and the artist. Size 26 inches x 22 inches (66cm x 56cm). Price £75.00

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ITEM CODE STK0095

Valour in the Pacific by Robert Taylor.

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Signed limited edition of 1250 prints.  Free Shipping Special Offer £200.00
Limited edition of artist proofs.  Free Shipping Special Offer £325.00

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Valour in the Pacific by Robert Taylor.

Depicted are B-29s of the 499th Bomb Group, 73rd Wing of the 20th Air Force. After a daylight raid on Tokyo, showing all the telltale signs of combat over the target, a Wing of the worlds largest and fastest-ever piston-engined bombers make their long over-water journey home, still many hours away at Saipan Island. At the extremity of their range, little friends, very-long-range P-51 Mustang escort fighters, peel off and head for home - leaving the mighty bombers to fend for themselves.

Signed limited edition of 1250 prints. Paper size 34 inches x 25 inches (86cm x 64cm). Price £200.00

Signed by Colonel Ray Brashear (deceased), Brigadier General Henry Huglin (deceased), Lieutenant Chester Marshall and Colonel Bob Morgan (deceased).



Limited edition of artist proofs. Paper size 34 inches x 25 inches (86cm x 64cm). Price £325.00

Signed by Colonel Ray Brashear (deceased), Brigadier General Henry Huglin (deceased), Lieutenant Chester Marshall and Colonel Bob Morgan (deceased).



ITEM CODE DHM2226


2 Discount Two-Print Packs Available on These Editions, Including :

Buy With :
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for £160

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for £190

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Turning Point by David Pentland.

6th August 1945, Col. Paul Tibbets puts his aircraft, Enola Gay, into a violent turn to evade the blast of the atomic bomb on the Japanese city of Hiroshima. This marked a turning point in the war and history.

Signed limited edition of 1150 prints. Image size 23 inches x 14 inches (58cm x 36cm). Price £95.00

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Tibbets signature edition of 20 prints from the signed limited edition of 1150 prints. Image size 23 inches x 14 inches (58cm x 36cm). Price £220.00

Signed by Col. Paul Tibbets (deceased).


Original painting by David Pentland. Image size 30 inches x 20 inches (76cm x 51cm). Price £2400.00


**Signed limited edition of 1150 prints. (One copy reduced to clear) Image size 23 inches x 14 inches (58cm x 36cm). Price £70.00


ITEM CODE DHM0796

By the Dawns Early Light by Iain Wyllie.

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Open edition print. Special Offer £16.00

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B-29 Bocks Car, 9th August 1945. Bocks Car was a B-29 Super Flying Fortress that dropped the fat man nuclear bomb over Nagasaki on 9th August 1945 it was the second nuclear bomb to be dropped on Japan.

Open edition print. Image size 16.5 inches x 11.5 inches (42cm x 29cm). Price £16.00



ITEM CODE IW0002


4 Discount Two-Print Packs Available on These Editions, Including :

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Pacific Glory by Nicolas Trudgian.
for £200

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Combat Over New Guinea by Nicolas Trudgian.
for £125

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Mission to Yokohama, Japan, June 1944 by David Pentland. (AP)
for £270

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Threatening Skies by Richard Taylor.

Richard Taylors painting recreates an encounter on 19th February 1945. As dawn breaks over the Pacific, a determined force of Japanese Ki-44s launch a surprise attack on a large formation of USAAF B-29 Superfortresses as they approach the Japanese mainland. B-29 gunners let rip as one fighter flashes past, with a second fighter closing at high speed. Chunks of the B-29s port wing and aileron have been taken out in the initial attack, and with another Japanese fighter fast on its tail, the outcome of this particular encounter hangs in the balance. A total of ten Superfortresses fell victim that day.

Signed limited edition of 400 prints. Paper size 30.5 inches x 23.5 inches (77cm x 60cm). Price £95.00

Signed by Lieutenant Colonel Ralph Nutter, Colonel James Pattillo and Captain Ben Robertson.



Limited edition of 25 artist proofs. Paper size 30.5 inches x 23.5 inches (77cm x 60cm). Price £135.00

Signed by Lieutenant Colonel Ralph Nutter, Colonel James Pattillo and Captain Ben Robertson.



Limited edition of 25 remarques. Paper size 30.5 inches x 23.5 inches (77cm x 60cm). Price £265.00

Signed by Lieutenant Colonel Ralph Nutter, Colonel James Pattillo and Captain Ben Robertson.



Limited edition of 10 double remarques. Paper size 30.5 inches x 23.5 inches (77cm x 60cm). Price £445.00

Signed by Lieutenant Colonel Ralph Nutter, Colonel James Pattillo and Captain Ben Robertson.



ITEM CODE DHM2709

Superfortress by Nicolas Trudgian.

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Signed limited edition of 450 prints. Special Offer £50.00
Limited edition of 50 artist proofs. Special Offer £60.00

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Superfortress by Nicolas Trudgian.

Part of a small print series of six American WW2 aircraft, signed by some of the great American pilots, some no longer with us. Cranston Fine Arts have purchased the last remaining stocks of this aviation series.

Signed limited edition of 450 prints. Paper size 11.5 inches x 9 inches (30cm x 23cm). Price £50.00

Signed by Brigadier General Henry Huglin (deceased) and the artist.

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 artist proofs. Paper size 11.5 inches x 9 inches (30cm x 23cm). Price £60.00

Signed by Brigadier General Henry Huglin (deceased) and the artist.

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ITEM CODE DHM2656


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Final Assault by Stan Stokes.

The largest and most powerful bomber of WW II, the Boeing B-29 Super Fortress, played a major role in bringing about the defeat of Japan. In addition to accelerating Japans surrender following the bombing of Hiroshima and Nagasaki with atomic bombs, thousands of B-29 crews flew tens of thousands of bombing missions against Japan from bases in China, India, and later in the War from recaptured islands in the Pacific. B-29s entered service in 1943 following a lengthy, problem-filled, development process of three years in response to the governments request for a long range strategic bomber. Only Boeing and Douglas (the B-32 Dominator) responded to the governments requests, and the B-32 had even greater development problems than the B-29. Powered by four giant Wright R-3350-23 radial engines generating a total horsepower of 8,924, the Super Fortresses typically carried crews of ten. They were capable of a top speed of 357-MPH, and at slower cruising speeds had a range of more than 3,200 miles. The B-29 was a large aircraft for its time with a wingspan in excess of 140 feet and a length of just under 100 feet. The Super Forts also had pressurized forward and aft hulls, which made the long distance missions a bit more comfortable for the flight crews. B-29s typically carried defensive armament which included ten machine guns and a single tail-mounted canon. Because of the pressurized hull, the guns were operated by remote control. The first operational B-29 wing was the 58th which flew out of the China-Burma-India theater. On March 9, 1945 General Curtis LeMay ordered an unusual low altitude attack on Tokyo by hundreds of B-29s carrying incendiary bombs. Five such low level missions were scheduled over a ten-day period, and the combined destruction of these missions exceeded that of either of the atomic bomb missions. B-29s were also effectively used to mine Japanese ports and shipping lanes. The Kawasaki Ki-45 Toryu heavy fighter, which is depicted attacking the B-29 in Stan Stokes painting, entered production in 1941 following a lengthy four year development. About 1,700 of these aircraft, code named Nick by the allies, were produced. The Ki-45 never proved effective as a long range daylight interceptor. It was, however, used effectively in ground attack and night fighter roles. It was one of only a few Japanese aircraft that had some success against the onslaught of B-29s because it was able to attain the high altitudes necessary to intercept the high-flying Super Fortresses. This print is dedicated to the thousands of B-29 officers and crewmen who hastened the end of the Pacific War.

Signed limited edition of 4750 prints. Print size 16 inches x 11.5 inches (41cm x 30cm) Supplied with signed and numbered certificate of authenticity.. Price £40.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 25 giclee paper prints. Size 21 inches x 14 inches (53cm x 36cm). Price £109.00

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Limited edition of 100 giclee canvas prints. Size 45 inches x 30 inches (114cm x 76cm). Price £624.00

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Limited edition of 100 giclee canvas prints. Size 36 inches x 24 inches (91cm x 61cm). Price £484.00

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Limited edition of 100 giclee canvas prints. Size 27 inches x 18 inches (69cm x 46cm). Price £294.00

Special Offer Part of our Buy One, Get One Half Price Offer



ITEM CODE STK0093


1 Discount Two-Print Pack Available on These Editions, Including :

Buy With :
Threatening Skies by Richard Taylor. (AP)
for £270

Save £45 !

Mission to Yokohama, Japan, June 1944 by David Pentland.

Boeing B29 Superfortresses of the USAAF 40th Bomb Group come under attack from a Kawasaki Ki64 Hein (Tony) of the Japanese Army Airforces 244th Sentai.

Signed limited edition of 500 prints. Image size 20 inches x 15 inches (51cm x 38cm) Printed on high quality artist paper board.. Price £95.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 artist proofs. Image size 25 inches x 16.5 inches (64cm x 42cm). Price £180.00

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Sakai / Huglin Presentation edition of 5 prints from the signed limited edition of 500 prints. Image size 20 inches x 15 inches (51cm x 38cm) Printed on high quality artist paper board.. Price £225.00

Features the matted original signatures of
Saburo Sakai (deceased)
and
Brigadier General Henry Huglin (deceased).


Limited edition of 50 giclee canvas prints. Image size 36 inches x 24 inches (91.5cm x 61cm). Price £480.00

Special Offer £110 Off Selected Giclee Canvas Prints - Was £590


Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £370.00

Special Offer £90 Off Selected Giclee Canvas Prints - Was £460


Original painting by David Pentland. Image size 36 inches x 24 inches (91.5cm x 61cm). Price £2500.00


Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00

Special Offer Part of our Buy One, Get One Half Price Offer



ITEM CODE DP0008

 
By the Dawn's Early Light by Iain Wyllie    B-29 "Bock's Car" 9th August 1945

Mission to Yokahama, Japan, June 1944 by David Pentland   Boeing B29 Superfortresses of the USAAF 40th Bomb Group come under attack from a Kawasaki Ki64 Hein (Tony) of the Japanese Army Airforces 244th Sentai.

Pacific Dolls by Stan Stokes.  The B-29 Super Fortress played an important role in Americas victory in the Pacific during WW II. Capable of carrying a huge payload over a great range. The B-29 has gained notoriety as the vehicle to drop the atomic bombs on Japan, but tens of thousands on non-atomic missions were also flown. These aircraft often carried some of the best nose art of the War.

Final Assault  by Stan Stokes. The largest and most powerful bomber of WW II, the Boeing B-29 Super Fortress, played a major role in bringing about the defeat of Japan. In addition to accelerating Japans surrender following the bombing of Hiroshima and Nagasaki with atomic bombs, thousands of B-29 crews flew tens of thousands of bombing missions against Japan from bases in China, India, and later in the War from recaptured islands in the Pacific. B-29s entered service in 1943 following a lengthy, problem-filled, development process of three years in response to the governments request for a long range strategic bomber. Only Boeing and Douglas (the B-32 Dominator) responded to the governments requests, and the B-32 had even greater development problems than the B-29. Powered by four giant Wright R-3350-23 radial engines generating a total horsepower of 8,924, the Super Fortresses typically carried crews of ten. They were capable of a top speed of 357-MPH, and at slower cruising speeds had a range of more than 3,200 miles. The B-29 was a large aircraft for its time with a wingspan in excess of 140 feet and a length of just under 100 feet. The Super Forts also had pressurized forward and aft hulls, which made the long distance missions a bit more comfortable for the flight crews. B-29s typically carried defensive armament which included ten machine guns and a single tail-mounted canon. Because of the pressurized hull, the guns were operated by remote control. The first operational B-29 wing was the 58th which flew out of the China-Burma-India theater. On March 9, 1945 General Curtis LeMay ordered an unusual low altitude attack on Tokyo by hundreds of B-29s carrying incendiary bombs. Five such low level missions were scheduled over a ten-day period, and the combined destruction of these missions exceeded that of either of the atomic bomb missions. B-29s were also effectively used to mine Japanese ports and shipping lanes. The Kawasaki Ki-45 Toryu heavy fighter, which is depicted attacking the B-29 in Stan Stokes painting, entered production in 1941 following a lengthy four year development. About 1,700 of these aircraft, code named Nick by the allies, were produced. The Ki-45 never proved effective as a long range daylight interceptor. It was, however, used effectively in ground attack and night fighter roles. It was one of only a few Japanese aircraft that had some success against the onslaught of B-29s because it was able to attain the high altitudes necessary to intercept the high-flying Super Fortresses. This print is dedicated to the thousands of B-29 officers and crewmen who hastened the end of the Pacific War.

 

Bringing the Peacemaker Home by Robert Taylor    By 1944 the USAAF were despatching bombers deep into Germany on a grand scale. In June alone no fewer than 28,800 aircraft were despatched into hostile air space, the scale of operations such that enabled hitting a dozen or more different targets on a single day.

Even with the benefit of long-range fighter escort, the bomber formations had to run the gauntlet of the Luftwaffe's fighter defenses as they approached and departed the target area. With plenty of practice during the previous 12 months, the German fighter pilots had developed highly successful techniques of attack against the American four-engined bombers, and whenever they engaged in numbers, USAAF losses were heavy - 37 bombers failed to return from raids against synthetic oil plants and aircraft factories at Leipzig on June 29.

On July 20 it was the turn of the 91st Bomb Group to attack an airfield near Leipzig, suspected of harboring the new menace - the Luftwaffe's revolutionary Messerschmitt Me262 jet. As the formation spread out for the bomb run, the 401st squadron took the low position - the most vulnerable to fighter attack.  Just as the crew of The Peacemaker steadied the ship to sight the target, the squadron was set upon by Focke-Wulf 190s. The formation leader was set on fire wingtip to wingtip, almost colliding with Peacemaker as the stricken aircraft slid into the void below. At that moment, cannon shells ripped into Peacemaker as a Fw190 flashed past within 200 feet, its guns blazing. Hit in the wing and tail, the bucking B-17 began to slip below the rest of the formation. She was a long way from home.

Robert Taylor's dramatic portrayal of events picks up the story as the injured bird limps towards the sanctuary of the English coast. That she has got this far is a miracle, due in no small part to the close attentions of escorting P-51B Mustangs of the 361st Fighter Group.  To keep her flying, the crew are jettisoning everything that can be safely bundled out of the aircraft. The front hatch is open and bombardier Marion Havelaar has reluctantly despatched his 20lb bomb sight to the ocean below - for him, an act of total sacrilege. The Peacemaker made it back to Bassingbourne that day; eight others did not.

Valour in the Pacific by Robert Taylor  Robert Taylor has painted a magnificent reconstruction of a mission during the final stages of that momentous conflict. Depicted are B-29s of the 499th Bomb Group, 73rd Wing of the 20th Air Force. After a daylight raid on Tokyo, showing all the telltale signs of combat over the target, a Wing of the world's largest and fastest-ever piston-engined bombers make their long over-water journey home, still many hours away at Saipan Island. At the extremity of their range, 'little friends', very-long-range P-51 Mustang escort fighters, peel off and head for home - leaving the mighty bombers to fend for themselves

 

 

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ARTIST
Featured Artist - Nicolas Trudgian



Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

Messerchmitt Me109 Signature Prints



Save £170 on this specially selected pack of pilot signed Me109 aviation art prints. All four prints for £400, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Stormclouds Gather by Nicolas Trudgian,
Fighter General by Graeme Lothian,
Adolf Galland / Messerschmitt Bf109 E-4 by Ivan Berryman
and
LJG52 - Summer 1940 by Ivan Berryman.

In all, the prints have 11 different signatures (12 in total) of pilots of Me109 aircraft of WW2.

Click the 'Special Offer Pack' Edition to order.

DETAIL IMAGES





EXTRAS

More Items from our database

Spitfire Mk.IXE by Ivan Berryman. (C)



Stirlings of No.90 Squadron by Ivan Berryman.



Spitfire Wing by Graeme Lothian. (P)



See more Anthony Saunders Art at AnthonySaunders.co.uk
See more WW1 Aviation Art at Aviation Art Prints

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